High Museum of Art, Atlanta

I Ubered over to the the High museum in Atlanta on Tuesday, September 21st.  They have a varied collection of art, mostly modern and contemporary.  One of the special exhibits was the Coca Cola Bottle which is 100 years old.   Since I have heard that things go better with Coke, I started there and roamed over three buildings connected by enclosed bridges and found many items to appreciate:

Here are my photos of what I liked:

View of the entrance to the High Museum with an arrangement of spinners to enjoy.  The Coca Cola exhibit is in the building strait ahead.

"House III," 1997 (fabricated 2002) by Roy Lichtenstein, American, 1923-1997.  The large sculpture is located in front of one of he High buildings.

The entrance to "The Coca-Coal Bottle An American Icon At 100" exhibit.

"This exhibition brings together work by renowned artists, designers, and photographers, showcasing the Coca-Cola bottle's outstanding impact on twentieth and twenty-first-century visual culture.

Over 500 3D-printed bottles hang from the ceiling created by the team at Conran and Partners using 3D printing technology to create a deconstructed, ribon-shaped interpretation of the bottle.

In the past Coco-Cola has collaborated with artists and designers to promote their product including N.C. Wyeth andNorman Rockwell.  Above are creations of contemporary artists.

"Three Coke Bottles," 1962 by Andy Warhol, American, 1928-1987, silkscreen, ink and graphite on linen.

"Coca-Cola (2), 1961 by Andy Warhol, casein and crayon on linen.

"Ike and Tina Turner," 1964 by Dennis Hopper, American, 1936-2010, gelatin silver print.

"Sprawl! Drawing Outside the Lines" is an exhibit of drawings by over 70 artists from both inside and outside the Atlanta perimeter. 

"Sitting Room," 2010 by Shara Hughes, American, born Atlanta, GA, 1981, mixed-media on paper.

"Yellow Vase," 1991 by Roy Lichtenstein, lithograph, woodcut and screen print.

"Anvil (no belt)," 1981 case in bronze, 1982 by Barry Flanagan, Welsh, born 1941

"Untitled (#3-85)," 1985 by Deborah Butterfield, American born, 1949, burned and crushed steel and barbed wire.  The artist's series of horse sculptures developed into a meditation on the human condition, showing not perfect specimens but instead those with a universal commonness.

"Abstract Painting (849-2)," by Gerhard Richter, German, born 1932.

"Dragon (Drache)," 2001 by Anselm Kiefer, German, born 1945, oil emulsion on lead and canvas. 

"My Parents' Farm," 1980 by Mattie Lou O'Kelley, American 1908-1997

"Yard Sale," 1979 by Mattie Lou O'Kelley, oil on canvas. 

"Horse," 2009 by Mr. Imagination (Gregory Warmack), American, 1948-2012, mixed media.

On the wall behind the sculpture is "Blocks and Strips Medallion Quilt," 2003 by Louisiana Bendolph, American, born 1960, quilted cotton and polyester fabric.

"Profile/Part II, The Thirties:  Artist with Painting and Model," 1981 by Romare Bearden, American, 1911-1988, collage on fiberboard.

"#73," 1952 by Mark Rothko, American 1903-1070, oil on canvas.

"Untitled," 1946 by Mark Rothko, American 1903-1970, oil on canvas.

"Strike," 1948 by Berta Margoulies, American, born Poland, 1907-1996, bronze.

"Landscape with Church Spire," 1930 by Jan Matulka, American, 1890-1972, oil on canvas.

"Woman at Piano," 1926 by Thomas Hart Benton, American, 1889-1975, oil on paper.

"The Old Bridge Over Hook Pond, East Hampton, Long Island," 1907 by Thomas Moran, American, born England, 1837-1926, oil on canvas.

"The Passing Storm," 1892 by George Inness, American, 1825-1894, oil on canvas.

"Portrait of Anne," 1915 by George Bellows, American, 1882-1925, oil on canvas.

"Houses of Parliament in the Fog," 1903 by Claude Monet, French, 1840-1926.

"Autumn on the Seine, Argenteuil, 1873 by Claude Monet, oil on canvas.

"Road to Marly," 1870 by Camille Pissarro, French, 1830-1903, oil on canvas.

"Snowscape with Cows at Montfoucault," 1874 by Camille Pissarro, oil on canvas.

"Still-Life with Apples," 1890 by Piere Auguste Renoir, French, 1841-1919, oil on canvas.

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Bradamante at Merlin's Tomb," 1820 by Alexandre-Evariste Fragonard, French 1780-1850 oil on canvas.

"The Breakfast," 1922 by Pierre Bonnard, French, 1867-1947